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Music
The Guitar Player
Bach: Prelude BWV 999
Falla: Homenaje (Le tombeau de Debussy)
Invocación
Recuerdos de la Alhambra
Nocturne Op.32 No.1
Writing
Invocación Liner Notes
The Classical Guitar in Classical Music
About
News
Biography
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In Conversation
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Mattias Schulstad
Folder: Music
Back
The Guitar Player
Bach: Prelude BWV 999
Falla: Homenaje (Le tombeau de Debussy)
Invocación
Recuerdos de la Alhambra
Nocturne Op.32 No.1
Folder: Writing
Back
Invocación Liner Notes
The Classical Guitar in Classical Music
Folder: About
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Store Chopin: Nocturne Op.9 No.2
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Chopin: Nocturne Op.9 No.2

$19.99

PDF score to Chopin’s Nocturne Op.9 No.2, arranged for solo guitar by Francisco Tárrega and Mattias Schulstad.

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PDF score to Chopin’s Nocturne Op.9 No.2, arranged for solo guitar by Francisco Tárrega and Mattias Schulstad.

PDF score to Chopin’s Nocturne Op.9 No.2, arranged for solo guitar by Francisco Tárrega and Mattias Schulstad.

Listen & download the track here: https://mattiasguitar.lnk.to/nocturne-op-9-no-2

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FRÉDÉRIC CHOPIN
(1810, Warsaw, Poland – 1849, Paris, France)

Nocturne Op.9 No.2
Composés et dédiés à Madame Camille Pleyel
Andante

I fell in love with Chopin's nocturnes through the recordings of Artur Rubinstein. Years later, when I encountered Tárrega’s transcription of the Nocturne Op.9 No.2, it was hard to resist. Tárrega often played this piece second to last in his recitals, and its influence can be felt particularly in Capricho Árabe and Recuerdos de la Alhambra.

The Op.9 No.2 embodies values such as simplicity, clarity and contrast, without ever being dull or sentimental. It’s instantly recognizable. Tárrega’s transcription features reduced texture and increased ornamentation; I have adjusted it to more closely adhere to Chopin’s original score.

According to Chopin’s pupil Wilhelm von Lenz, Chopin wanted its accompaniment to sound “like a chorus of guitars” accompanying a tenor.

Character: Romance
Duration: 04:12
Key: E major (originally in E flat)
Composer: Chopin
Arranger: Francisco Tárrega, Mattias Schulstad
Historical period: Romantic 
Country: Poland, France, Spain, Sweden
Form: Nocturne (A-A-B-A-B-A-C)
Instrumentation: guitar (classical)
First published: 1832 

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